Toronto’s Chris A. Cummings (Marker Starling, formerly Mantler), has been making records and performing his own brand of melancholic art-pop music since 1999, both as a solo artist and with a backing band. Primarily working with a Wurlitzer electric piano and Rhythm Ace drum machine, Cummings’ atmospheric music has won him many fans, both locally and internationally.
Brooklyn Vegan on Diamond Violence: “A grim portrait of an artist…over the silkiest of disco backing layered with sweet harmonies, synthy strings, Chic-esque guitar and a groovy bassline” (Bill Pearis)
Exclaim! on High January: “Understated, elegant and wistful…a triumphant step forward for Marker Starling” (Vijai Kumar Singh)
Onda Rocks (Italy) on High January: “More than a record, ‘High January’ is a master’s degree, a perfecting course on perfect pop composition” (Gianfranco Marmoro)
Onda Rocks (Italy) on Rosy Maze: “One of the smartest pop albums of the year” (Gianfranco Marmoro)
Toronto’s Chris A. Cummings (Marker Starling, formerly Mantler), has been making records and performing his own brand of melancholic art-pop music since 1999, both as a solo artist and with a backing band. Primarily working with a Wurlitzer electric piano and Rhythm Ace drum machine, Cummings’ atmospheric music has won him many fans, both locally and internationally.
Brooklyn Vegan on Diamond Violence: “A grim portrait of an artist…over the silkiest of disco backing layered with sweet harmonies, synthy strings, Chic-esque guitar and a groovy bassline” (Bill Pearis)
Exclaim! on High January: “Understated, elegant and wistful…a triumphant step forward for Marker Starling” (Vijai Kumar Singh)
Onda Rocks (Italy) on High January: “More than a record, ‘High January’ is a master’s degree, a perfecting course on perfect pop composition” (Gianfranco Marmoro)
Onda Rocks (Italy) on Rosy Maze: “One of the smartest pop albums of the year” (Gianfranco Marmoro)